FIND WORK BY…
“Am I Dead?” alternate album art (2025)
Alternate album art for “Am I Dead?” featuring multiple composited images within a scan of a polaroid of the artist’s childhood home, edited by Leo Thomas.
“Am I Dead?” album art (2025)
Album art for “Am I Dead?” featuring lettering and editing by Leo Thomas.
“Kay” album art (2025)
Album art for the song “Kay,” which consists of several composited photographs, hand-drawn lettering, and various color and texture treatments, done by Leo Thomas.
“Everyday” album art (2025)
Album art for “Everyday,” edited by Leo Thomas.
stickers for m brett jones (2024)
Stickers featuring hand-drawn lettering and design by Leo Thomas.
unraveled (2021)
2:38 under the camera, stop-motion animated film.
Story, animation, editing, and sound by LMT.
EVERYTHING IS SHIT / I WILL BE OKAY (2020)
Six 6 x 8" pieces of paper stamped with a spacebar from a keyboard and carved rubber letters.
VIRTUAL DANCE PARTY (2020)
1:53, 3D computer animation.
Concept, modeling, rigging, animation, camera work, editing, and sound by LMT.
color study (2020)
EYES WITHOUT A FACE (2019)
0:34 rotoscoped animation made specifically for the Cabell Screen; to be looped on a large, square screen.
Maniac - music video without music (2019)
4:14 music video for Maniac by Michael Sembello with audio completely redone by LMT.
CAVE PARTY (2019)
0:52 3D computer animation.
Concept, modeling, animation, lighting, camera work, editing, and sound by LMT.
Houston (2019)
[insert time] audio piece made entirely from free sounds available from NASA’s archives, such as radio emissions from Saturn, Jupiter’s magnetic field, and various Apollo missions.
the Strangest Thing (2018)
0:49 multimedia (salt, collage, glitter, string, ink, clay) stop motion animation about the inner confusion and frustration of a transgender person.
Writing, animation, editing, and sound by LMT. Script edited by Zoe Webster.
unfinished collage (2018)
2:36 sound composition accompanied by an unfinished, 1 minute, 19 second digital cut-out animation.
untitled (2018)
untitled (2018), 12 x 18", collage using materials mostly sourced from 50's-90's era Scientific Illustrated and National Geographic.